Scars (originally known as The Scars) were a Post-punk band that hailed from Edinburgh, Scotland, and were a part of that city's bustling music scene of the late 70s - early 80s.
Fronted by Robert King and featuring Paul Research on lead guitar, John Mackie on bass, and Calumn Mackay on drums, the band's original sound was angular and offset with a dance-based rhythm section, as evidenced by their 1979 single for Fast Product "Horrorshow"/"Adult/ery". The band's popular set-closing song "Your Attention Please" appeared as a free gold flexi-disc in the second edition of the influential London-based style magazine i-D. This aforementioned song would later be included in the band's 1981 (and sole) album Author! Author!, but in the meantime the group maintained an ever-mounting momentum and attention via singles releases and constant touring, and soon they were noticed by John Peel. Peel invited the band to record two of his legendary Sessions, once in February 1980 and another in May 1981...(wikipedia)
THE SCARS epitomise the post-punk new seriousness that has radically re-activated pop music, destroying the dichotomy between intelligence and emotion and confronting a whole range of different fears and desires. New pop that treats the transient thrill seriously. New pop, the matter-realism that is today's heroic retaliation, has imagination and conviction. It screams to the outer limits, dreams to the inner limits, its themes are maudlin and magnificent and the effect is both ephemeral and complicated. Scars' challenge-pop is dominated by sexy and dazzling Paul Research guitars : a subtle fury. Characterised by young and self-absorbed Rob King vocals : based on dreams. Balanced by curling John Mackie bass and lifting Steve McLaughlin drums: underdone disco, a good and evil duet. Producer Robert Blamire on a debut ride that is simply exceptional. Melodramatic arrangements are set in bristling, balmy space, on an edge between solemnity and sensuality, with the focus U2 didn't get on 'Boy', that Penetration almost got on 'Moving Targets'. At their most impressive - 'Leave Me in the Autumn'. 'Obsessions', 'All About You' - The Scars decorate/deprecate melancholy mood music with trickling pop impudence. A listener can never settle, never escape the underlying struggle. The tension comes from the balance between the innocent and the sardonic, between delicate impulses and hard-headed concentration. LPs are not the place for pop music, yet The Scars have created something worth consuming and contemplating. It's only one of two long players released this year on pop labels that I'd seriously suggest you pay up and pay attention to. Ten songs of first class fashion and post-adolescent passion. The Scars will be stars: they're the new craze. The stage is theirs. Applause! Applause!(NME 1981)
Author Author
Titelliste
01 leave me in the autumn
02 fear in the dark
03 aquarama
04 david
05 obsessions
06 the lady in the car
07 je t'aime
08 c'est la mort
09 your attention please
10 all about you
Genre: Alternative
Bitrate: 192 kBit/s
Year: 1981
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