The band originally formed in 1984 from the ashes of the Derry Hitmakers, Bam Bam and the Calling and The Undertones. It was formed by guitarist John O'Neill and second guitarist Raymond Gorman who DJ'd together at the Derry 'Left Bank' club. Drummer and friend Ciaran McLaughlin joined next after having relocated from Derry to London, followed by John's brother and Undertones lead guitarist Damian O'Neill who played bass from 1985 until 1988 upon John's departure. He then took up guitar duties from 1988-1994 and 2008-present. Charismatic American singer Steve Mack, who was on a year out working in a pizzeria in London at the time, finished off the line up. Two more bassists played in the band after John O'Neill left: John Marchini (1988-1991) then Brendan Kelly (1991-1994 and 2008-present). That Petrol Emotion's influences encompassed artists as diverse as The Beatles, Afrika Bambaataa, Television, Sly & the Family Stone, Captain Beefheart and Can.
The group released their debut single "Keen" in 1985 which immediately severed all musical links with the Undertones with its darker more edgy sound. Indeed That Petrol Emotion themselves were also far more political and outspoken than the Undertones. This statement of intent in the guise of Keen was followed by their debut album "Manic Pop Thrill", released in 1986 on Demon Records and charting at number 1 in the UK Indie Chart. It was received with rave reviews from the critics, especially by Undertones champion John Peel. They were described by Rolling Stone magazine as "The Clash crossed with Creedence", and the New York Times described them in 1987 as "a youthful Rolling Stones" mixed with a "revved-up Television".
Their second album (and major label debut) Babble released in 1987 on Polydor broke into the UK Top 40 album chart and won universal acclaim; just some of the accolades being that it was voted as one of the albums of the year by Rolling Stone magazine critics and receiving an A- 'grade' from the legendary Robert Christgau. In the UK, the single "Big Decision" was released in 1987 which narrowly missed a place in the coveted Top 40, charting at number 42. The back sleeve contained text decrying the use of plastic bullets by the British Army in Northern Ireland. The band never gained a higher chart position than on this first hit. Their next single, "Genius Move" (also 1987) was banned from being aired by the BBC. Despite this, That Petrol Emotion had already won the praise of figures such as Robert Smith and Robin Guthrie.
The management of Polydor changed in this period resulting in a request to the band for immediate hit singles. That Petrol Emotion exploited a loophole in their contract and left Polydor only to be snapped up within a few weeks by Virgin records.
On the eve of the recording sessions for their third album End of the Millenium Psychosis Blues (Virgin records, 1988), John O'Neill announced his imminent departure from the band. The resulting sessions were thus fraught with tension and foreboding and the album itself upon release was greeted with confusion by critics and fans alike. It was meant to emulate the eclectic mixtapes the band listened to and loved on their tourbus but this dance and sample experimentation ("Groove Check", "Here it is...Take it!", "Tension") mixed with heavy alt rock ("Under the Sky"), Celtic ballads ("Cellophane") and indie ("Sooner or Later", "Every Little Bit") proved too disjointed and diverse to break into the mainstream at the time. However, reappraisal of this album whilst seeing many critics and fans admitting that this diversity in style did alienate people in the contemporary scene, also sees in retrospect that That Petrol Emotion were very much before their time and trailblazers for the Britpop and Madchester indie-dance scene due to their early experiments mixing up indie with funk and dance. Indeed they were posthumously described as having perfected "the art of the scuzzed up alternative pop song" during the '80s.
After John O'Neill left the band, a re-shuffle took place in That Petrol Emotion. Drummer Ciaran McLaughlin and guitarist Raymond Gorman picked up major songwriting duties; blossoming as writers in the process whilst new bassist John Marchini joined to allow Damian O'Neill to take up the guitar alongside Gorman. This new dynamic of musicians and songsmiths led to the 1990 album Chemicrazy, again for Virgin records. "Chemicrazy" had a more alt rock style than before; hinted at on the final track of the previous album "Under the Sky". However whilst being more intense than before, "Chemicrazy" also maintained a pure pop heart, exemplified by singles "Sensitize", "Tingle" and "Hey Venus". Frustratingly for the band however the massive predicted sales for "Chemicrazy" never came...(wiki)
MANIC POP THRILL 1986 (192)
Manic Pop Thrill
BABBLE 1987 (192)
Babble
END OF THE MILLENNIUM PSYCHOSIS BLUES 1988 (192)
End Of The Millennium Psychosis Blues
CHEMICRAZY 1990 (192)
Chemicrazy
FIREPROOF 1993 (192)
Fireproof
Die Moulinettes, die es überraschenderweise noch immer gibt, leisten sich ein Auto-Retro-Album, eine Zehn-Jahre-Compilation als Warteschleife auf ihre vierte Platte. Ihr hier nochmals zu besichtigender Entwurf enthält (großzügig aufgerundet) alle Schwächen und Stärken der Kulturtechnik „Retro“. Und er bündelt sie zu so etwas wie dessen Phänomenologie in einer kompakten und weitgehend eleganten Form, wie sie so oder so ähnlich im traditionell antipopistischen Deutschland bisher kaum vorgekommen ist. Natürlich in ständiger Gefährdung, zu selbstgenügsamer Jungerwachsenen-Beschallung und Digitale-Boheme-Feierabendstimmung zu verkommen. Die akribisch aufgefädelten, meist strikt privatisierenden „Herr Rossi“-Glücks- und Unglücksgenussformen (natürlich 100 Prozent Poschardt-kompatibel) kontrastiert eine als Sound realisierte Distanz, die sich aus der üblichen Retro-Fadheit löst. 
So long and thanks for all the fish
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It's telling I had not even realized that I had not posted a new entry
since a week. A sign that it is time to pull the plug, and this time
permanently.
vor 5 Monaten
